Quick Answer
DistroKid is the best distributor for prolific artists ($22.99/year unlimited uploads, fastest Spotify delivery). TuneCore suits artists who want to keep 100% royalties on a per-release model. Amuse is the only fully free option (takes 15% commission). RouteNote offers free distribution with 15% commission or premium with 100% retention. Choose based on your release frequency: 12+ releases/year → DistroKid; 1–4 releases/year → TuneCore or Amuse; budget zero → RouteNote Free or Amuse.
Why You Need a Distributor (and Can't Upload Directly)
Spotify, Apple Music, TikTok, YouTube Music, and VK Music do not accept direct uploads from artists. They only work with approved distributors who handle metadata, audio delivery, royalty collection, and rights management. A distributor is your bridge to every streaming platform.
Your distributor does four things: delivers your audio files and metadata to platforms, collects streaming royalties and pays them to you, registers your ISRC codes (unique track identifiers), and often handles YouTube Content ID, sync licensing, and neighboring rights. Without a distributor, your music cannot appear on streaming services.
The Four Distributors Compared
| Feature | DistroKid | TuneCore | Amuse | RouteNote |
|---|---|---|---|---|
| Annual Fee | $22.99–$39.99 | $14.99/single, $49.99/album | $0 (free) | $0 or $10/album |
| Commission | 0% | 0% | 15% | 0% (premium) / 15% (free) |
| Spotify Speed | 1–3 days | 2–5 days | 3–7 days | 3–14 days |
| Platforms | 150+ | 150+ | 50+ | 100+ |
| YouTube Content ID | $4.95/year extra | Included | Not included | Included (premium) |
| Split Pay | Included | $5/release extra | Not available | Not available |
| Custom Label Name | Yes | Yes | No | Yes (premium) |
| TikTok / Reels | Yes | Yes | Yes | Yes |
| VK Music | No | No | No | No |
VK Music note: None of these Western distributors deliver to VK Music directly. VK Music receives content through aggregator partnerships with local distributors like Believe Digital and CD Land. If VK Music is critical for your audience, use a Russia-specific distributor like Musixxx or United Music Agency alongside your primary distributor.
DistroKid: Best for Prolific Artists
DistroKid's value proposition is simple: unlimited uploads for a flat annual fee. If you release a single every month, DistroKid costs $1.92 per release. No competitor comes close at that volume.
The Musician Plus plan ($39.99/year) adds custom label names, pre-order dates, and daily sales statistics. The leave-a-legacy add-on ($49 one-time per release) ensures your music stays online forever even if you stop paying the annual fee. Without it, DistroKid removes your music if your subscription lapses — a dealbreaker for some artists.
DistroKid's weaknesses: no free tier, no physical distribution, and customer support is email-only with slow response times. The $4.95/year YouTube Content ID fee is reasonable but easy to miss. If you release 6+ tracks per year, DistroKid is mathematically unbeatable.
TuneCore: Best for Album-Focused Artists
TuneCore charges per release, not per year. A single costs $14.99 for the first year, then $9.99 annually. An album is $49.99 first year, $29.99 after. This makes TuneCore expensive for prolific artists but competitive for those releasing 1–2 projects per year.
TuneCore's strengths: better analytics than DistroKid, included YouTube Content ID, and a more established reputation with major labels. Their social media promotion tools (TuneCore Promote) are genuinely useful for independent artists. The payout speed is also faster — typically 45 days versus DistroKid's 60–90 days.
The catch: TuneCore's newer 'Unlimited' plan ($14.99/month) is a trap for most artists. It costs $180/year — 4x more than DistroKid for the same unlimited uploads. Only consider it if you need TuneCore's specific features (like advanced publishing administration) and release 15+ tracks per year.
Amuse: Best Free Option (With a Commission Catch)
Amuse is the only distributor that is genuinely free upfront. They take 15% of your royalties instead of charging a subscription. For an artist earning $100/year from streaming, Amuse costs $15 — less than any paid plan. For an artist earning $10,000/year, Amuse costs $1,500 — far more than DistroKid.
The break-even point: if your annual streaming revenue exceeds $280, DistroKid ($22.99/year) becomes cheaper than Amuse. At $1,000/year, Amuse costs $127 more than DistroKid. Do the math before choosing 'free.'
Amuse's platform coverage is weaker (50+ platforms versus DistroKid's 150+). They also lack YouTube Content ID and split payments. The mobile app is excellent for uploading on the go, but the web dashboard is limited. Use Amuse if you are testing the waters and release 1–3 tracks per year with low expected revenue.
RouteNote: The Freemium Middle Ground
RouteNote offers both free and premium tiers. The free tier takes 15% commission but has no upfront costs — similar to Amuse. The premium tier ($10 per single, $30 per album, $20 per EP) lets you keep 100% of royalties with no annual fee.
RouteNote's unique advantage: they distribute to Chinese platforms (NetEase Cloud Music, QQ Music, Kugou) that other Western distributors ignore. If your audience includes Chinese listeners, RouteNote is essential. They also offer a white-label solution for labels managing multiple artists.
The downside: slower delivery times (up to 14 days for some platforms) and a clunky web interface. Customer support is slower than DistroKid and TuneCore. RouteNote is best for artists targeting Asian markets or labels managing catalogs.
Hidden Costs Every Artist Ignores
- YouTube Content ID Most distributors charge $5–$50/year per track for Content ID registration. Without it, you cannot claim royalties from YouTube videos using your music.
- Cover Song Licensing Releasing a cover? DistroKid charges $12/year per cover. TuneCore charges $70 one-time. Harry Fox Agency is the alternative but requires manual paperwork.
- Store Delivery Upgrades Shazam, Instagram/Facebook library, and TikTok sound library sometimes require manual opt-in or extra fees. Check your distributor's 'optional stores' list.
- Neighboring Rights Performance royalties for non-US terrestrial radio play. DistroKid and TuneCore collect these; Amuse and RouteNote do not. If you get radio play outside the US, this matters.
- Tax Withholding Non-US artists face 30% US tax withholding unless they submit a W-8BEN form. All major distributors handle this, but the paperwork delay can slow your first payout by 2–3 months.
- Currency Conversion If your distributor pays in USD and your bank account is in EUR or RUB, you lose 1–3% on every conversion. Some distributors offer local currency payouts (TuneCore supports more currencies than DistroKid).
Decision Framework: Which Distributor Is Right for You?
- Step 1: Calculate your expected annual releases
Count singles, EPs, and albums you plan to release in the next 12 months. Include beat tapes, instrumental albums, and remixes. - Step 2: Estimate your streaming revenue
If you have existing releases, multiply last year's revenue by 1.5 (conservative growth). New artists should assume $0–$200 in year one. - Step 3: Match to the cheapest option
Under 4 releases/year + under $280 revenue → Amuse or RouteNote Free. 6+ releases/year → DistroKid. Album-focused with $1,000+ revenue → TuneCore. Chinese market → RouteNote. - Step 4: Check platform coverage
If you need VK Music, Belinda Digital or United Music Agency are required alongside your primary distributor. If you need TikTok sounds, all four work. - Step 5: Test with one single
Never migrate your entire catalog on day one. Upload one single, track delivery speed, analytics accuracy, and payout timing before committing. - Step 6: Set up YouTube Content ID immediately
Even if you do not plan to promote on YouTube, fans will upload your music. Content ID turns those uploads into royalty-generating moments.
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Frequently Asked Questions
- Can I switch distributors without losing my streams?
- Yes, but it requires planning. Keep your old distributor active until the new one confirms delivery. Use the same ISRC codes, metadata, and audio files. Spotify and Apple Music will merge the releases. The process takes 2–4 weeks and may cause a temporary dip in stream counts. Never remove old releases before new ones are live.
- Do distributors own my music?
- No. Reputable distributors (DistroKid, TuneCore, Amuse, RouteNote) do not take ownership of your masters. They act as delivery agents only. Read the terms of service to confirm — any clause mentioning 'assignment of rights' or 'exclusive license' is a red flag.
- How long does it take for my track to appear on Spotify?
- DistroKid: 1–3 days. TuneCore: 2–5 days. Amuse: 3–7 days. RouteNote: 3–14 days. Spotify recommends submitting 2–3 weeks before your desired release date to allow for review and playlist pitching.
- Can I use multiple distributors for the same track?
- No — this creates duplicate releases and splits your analytics. Use one distributor per track. The only exception is geographic specialization: you might use DistroKid for global distribution and a local distributor (like Believe Digital) for VK Music in Russia.
- What happens if my distributor goes out of business?
- Your music stays on platforms if the distributor has properly delivered it. However, you lose access to analytics and future payouts. DistroKid and TuneCore are well-funded and stable. For smaller distributors, always download your monthly statements and keep copies of your delivery receipts.