Quick answer: Parallel Compression Tutorial
Quick answer: Parallel compression blends a heavily compressed signal with the dry signal to add punch and body to drums, vocals, and mix buses without losing transient attack or dy...
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Browse Free DownloadsFrequently Asked Questions
- What is parallel compression in simple terms?
- Parallel compression blends a heavily compressed version of a signal with the original dry signal. The dry signal preserves the transient attack; the compressed signal adds body and sustain.
- What is the difference between parallel and normal compression?
- Normal (serial) compression routes the entire signal through the compressor. Parallel splits the signal into two paths: one dry, one heavily compressed.
- Is parallel compression the same as New York compression?
- Yes. Both names refer to the same workflow of blending dry and heavily compressed signals.
- What is the best ratio for parallel compression on drums?
- Use 8:1 or higher for drums with fast attack (0.1-10 ms) and fast release (30-80 ms).
- Which compressor is best for parallel compression?
- A VCA compressor (SSL G-Bus, dbx 160) or FET compressor (1176-style) handles drums well. For vocals, an optical compressor adds musical warmth.
- How does parallel compression differ from sidechain compression?
- Sidechain uses one signal to trigger compression on another. Parallel blends dry and compressed versions of the same signal.
- Should I use parallel or serial compression on my mix bus?
- Both, in sequence. Apply gentle serial compression first for glue, then parallel compression for punch.
- What is the best starting point for parallel compression settings?
- Start with 8:1 ratio, fast attack (0.1-10 ms), fast release (30-80 ms), threshold set for 6-10 dB gain reduction, blend at 50% wet.