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Rob Papen SubBoomBass2 v1.0.2a [U2B] [MacOSX]
On request Software MacOSX

Rob Papen SubBoomBass2 v1.0.2a [U2B] [MacOSX]

1 min read 643.3 MB
Its GUI (graphical user interface) has received a makeover for more comfortable control of all features. SubBoomBass-2 still has its analog-modeled waveforms on board, but the sound color has been expanded with new spectrum waveforms, new creative 'think out of the box' high-quality samples, and introducing Karplus-Strong string synthesis! You will understand that these new features generate fresh and unheard-of sounds! But there is more… An X/Y screen, a new pattern mode for running 4 sequences, and just like in Predator-2 it has the easy to use Bank Manager with star feature, so that you can quickly find and go to your favorite sounds straight away. And yes, all the original SubBoomBass presets are on board! This instrument is great for any style of contemporary music… any music styles including video game music, film scores, and anywhere you need a great bass and fresh sound! GENERAL FEATURES : 6 Voice virtual Analog / Hybrid Synthesizer with included Sequencer. GUI size 100%, 125%, 150%, and 200%. Different tunings possible using .tun files. Responds to MIDI Program change and MIDI Bank Select. MIDI MPE mode available. Over 2250 presets.

Frequently Asked Questions

How can I access Rob Papen SubBoomBass2 v1.0.2a [U2B] [MacOSX]?

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What formats are included in Rob Papen SubBoomBass2 v1.0.2a [U2B] [MacOSX]?

This pack includes: multiple professional formats. All formats are industry-standard and compatible with major DAWs.

Is Rob Papen SubBoomBass2 v1.0.2a [U2B] [MacOSX] compatible with my DAW?

Yes, Rob Papen SubBoomBass2 v1.0.2a [U2B] [MacOSX] works with all major DAWs including FL Studio, Ableton Live, Logic Pro, and more.

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About Pluggi
Pluggi is the editorial curator behind Plugg Supply. The role combines resource discovery, catalog taxonomy, source review, and practical explanations for producers working with plugins, sample packs, Kontakt libraries, presets, and MIDI.
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