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The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT]
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The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT]

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1.01 GB
KONTAKT Cinematic
OBLIQUE II is the second instrument in the OBLIQUE series. It is a damaged, twisted, brutal but incredibly expressive double bass instrument. Like the cello in OBLIQUE, this is not an instrument for creating soothing music - it's brimming with sharp edges and blunt force. Alberto Moreno Guier is the bassist behind the tortured, obscure sounds in OBLIQUE II. His mastery of the double bass allowed us to capture powerful performances within a massive dynamic range, perfect for psychological thrillers and terrifying horror sequences. FEATURES: 643 sound files at 24 bit / 48 kHz resolution in a compact 2.3 GB footprint 9 double bass articulations: Long Sul Tasto, Staccato, one whole step downwards Glissando, Glissando harmonics, Tremolo Glissando harmonics, Circular bowing, Crunches, Bartok pizzicato and body taps as percussion elements. Clean, intuitive and fast GUI REQUIREMENTS: Full version of Native Instruments' Kontakt 6.7.1 or higher (OBLIQUE II won't work with Kontakt Player) MacOS 10.13 or higher, i5 CPU Windows 7 or higher, i5 or equivalent CPU Graphics hardware support for OpenGL 2.1 or higher 6 GB RAM 2.3 GB of free hard drive space

Frequently Asked Questions

Does The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT] require a subscription?
The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT] requires an active Advanced or Ultimate Plugg Supply subscription for access and Telegram archive delivery.
What formats are included in The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT]?
This pack includes: KONTAKT. All formats are industry-standard and compatible with major DAWs.
Is The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT] compatible with my DAW?
Yes, The Very Loud Indeed OBLIQUE II: Dark Bass Explorations [KONTAKT] works with all major DAWs including FL Studio, Ableton Live, Logic Pro, and more.

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