Sound Dust Cloud Bass [KONTAKT]

Like the other members of the CLOUD family CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. What's inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) Three octave keyrange - C1 to C4 Articulations - Eight deeply sampled articulations through eight 'oscillators' Twine 1: bowed with five meters of coarse brown garden string, five round robins per note per note - AKG C414 large diaphragm condensor mic mic Twine 2: bowed with five meters of coarse brown garden string, five round robins per note per note - Barcus Berry Planar contact mic Twine 3: bowed with five meters of coarse brown garden string, five velocity levels per note -AKG 411 contact mic Long Accent Bow: bowed with a real bow, five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condensor mic Short Accent Bow (high): bowed with a real bow, five round robins per note - AKG C414 large diaphragm condensor mic Beater - thumped lightly with drum beater, five round robins per note, five velocity layers per note - AKG C414 large diaphragm condensor mic Col legno: Latin for 'gently thwacked with the back of the bow', five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condensor mic Sub Bass: six selectable analogue multi sampled waveforms recorded from Moog Voyager and DSi Pro 02